CULTURE

Virginia Woolf

She had seen her in a black-and-white photograph. Virginia sat thinking beside a window, in an armchair upholstered with patterned fabric, dressed in a garment of velvet-like cloth, a brooch at her collar whose exact shape she could not make out from the photograph, and a wide, long skirt cut from the same material.Again, reading the book in her hands, she noticed that her mind had drifted from the text, and she set it down on the coffee table in front of her.

Hatice Dikbaş8 min read
CINEMA

Anthony Quinn

In Cacoyannis’s lens, Crete was not merely a setting. That barren plain, that coastline, that aged Greek village, all were externalizations of Zorba’s soul.

Cem Bahadır11 min read
CULTURE

Beyond Continents

In the early 1970s, Neşet Ertaş faced what he would later call the hardest decision of his life. His daughter Döne was gravely ill, and the medical options available in Türkiye were limited.

Sebahattin Çelebi6 min read
CULTURE

The Floral Armchair

These had been the “dreams” Nesrin had nurtured before her parents’ separation. On the day she “saw her father standing there with a suitcase in his hand”, all those dreams “collapsed at once”. He said only: “Farewell”.

Aysel Yalçın5 min read
CULTURE

A Defeated Lover

Fikriye is presented merely as a relative, a helper. Yet Fikriye was Mustafa Kemal’s past. The lost gardens of Salonica, the innocent afternoons of childhood. She was not a woman for the Pasha, she was a climate.

Sebahattin Çelebi11 min read
CINEMA

The Good, the Bad, the Ugly, anda Roman Italian

Cinema had barely been discovered before it got its hands on the cowboy film. For years, cowboys, who were in reality nothing more than cattle herders, were presented as flawless heroes, while the innocent and the oppressed, Native Americans above all, were cast without exception as the villains.A man came from Rome and, with just six films, changed the history of the American Western.

Hürrem Erman11 min read
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CULTURE

Cemile

The oral tradition roots of Kyrgyz literature were unmistakably present in Aitmatov’s prose. The work could be read as an epic poem. Events were arranged not in chronological but in emotional logic. Time was not linear but cyclical.

Sebahattin Çelebi7 min read

Growing Younger in Old Age

When a person shares their memories, they return, if only for a moment, to that young self: the one who ran, laughed, hoped. When an older person tells of their past, what enters their voice is not trembling, but strength.

Seval Tuncer7 min read